Dynamism of a Dog on a Leash, 1912:
Giacomo Balla, Italian.
Oil on canvas.
-I truly felt a
connection when I locked eyes on this beautiful piece of art. There is an elegance to the piece & I have a passion to someday own this type of dog. The detail in the way Giacomo Balla created the illusion of movement in this still piece amazes me. I actually purchased a postcard of this artwork in the gift shop!
Serie 14 No. 2, 1970:
Julio Le Parc. Argentine, born 1928.
Acrylic on canvas.
-I also felt a
connection when I came across this art work.
The vibrant colors caught my eye immediately. This piece
draws you in from far away. You can almost get lost in the
different shades as if they represented emotions. I feel as if
this piece can be interpreted in many ways. Its very warm
and inviting.
NIAGARA, 2012.
Robert Irwin.
Light+shadow+reflection+color
-I was surprised when I realized what this piece of art actually stood for. I overheard a tour guide discussing the piece. Niagara made an impression on me when I heard it represented Niagara Falls. The creativity Robert Irwin had when constructing this piece amazes me. The neon lights defining the colors of the rushing water over the falls is beyond words. Reflection comes into play when you notice the windows facing opposite of this piece. The glass washes the neon lighting together to create one flowing piece of art.
Indefinite Divisibility, 1942.
Yves Tanguy.
Oil on canvas.
- This art work made a strange impact on me. I had walked by this piece a couple times before stopping to critique it. The shadowing of the objects against the horizon almost make the piece seem 3D. The detail seems to be perfect. Its almost as if you cant stop studying it. Its mesmerizing.
Wood-Iron Rods, 1964.
Jesus Rafael Soto
Painted Masonite and wire.
- I would really like
to know more about this piece. This is also a mesmerizing piece. It draws your eyes in and keeps you there to focus on it. The way Jesus Rafael Soto used two separate layers to create this piece of art is interesting. Its almost a 3D effect. The best way to understand this image is to see the piece in person and look at it from the side.
October 1950, 1950.
Clyfford Still.
Oil on canvas.
-The use of primary colors in this piece is relevant to what we are learning in class! You would almost think this piece represents the skin of a cow. There is also texture seen through each of the colors. The small area where black outlines a lighter red tone makes you question the piece. I would really like
to know more about this piece and understand what is actually represents or means!